The fire in the room symbolizes warmth and life. The symbolism of the macaroons shows how women did not have much freedom during that time and soon started longing and rebelling for their independence. There are several parallels drawn between Nora and the Christmas tree in the play. In the new year, Torvald will start his new job, and he anticipates with excitement the extra money and admiration the job will bring him. Ibsen use of symbolism with the macaroons displayed how Nora longed for her freedom and soon became free.
She is both unpredictable and childlike. This dance, originally performed by a person who had been bitten by the tarantula a poisonous spider in Italy has here become a kind of frantic response to the many injuries in the mind of Nora. Nora plays the role of a doll who adds charm to the house just as a Christmas tree does. Torvald Helmer is the antagonist to Nora, his wife, because he is mostly concerned about his reputation, he is the supreme…. Eating the macaroons appears to be an unimportant issue, but for Nora it is imperative that Torvald does not find out she has been eating them.
It also symbolizes a male dominant society that a woman is a mere puppet in the hands of the possessor. In all three acts of the play Nora controls many situations and yields the most power. This quote shows how she wants more and more macaroons, while her longing for freedom form Dorval becomes stronger and stronger. Thus, dancing non-stop wards off the venom of the spider Streetswing. Eventually, as the macaroon references foreshadowed, Nora does not let Dorval control her anymore.
She has borrowed money from Krogstad for the treatment of her ailing husband, but she is unable to pay it off. The sub-text within the play is really intense because characters say one thing yet mean another. The symbolic meaning is often hidden from views it lies deeper than it seems. Both Mansfield and Faulkner use houses as symbols of a flawed society in their stories, however the manner in which they use these symbols are very different. The pet names he uses for Nora are considered to be used for children.
The first symbol Ibsen uses to show how women were obedient to men was Nora as a symbol of a doll. He speaks frequently of the sickness in society and seems to have a pessimistic view of the world. Macaroons are the cookies that show her childish tendencies, such as sneaking unhealthy food. Krogstad uses the existence of her debt to blackmail Nora, threatening to inform her husband of her debt and her forgery if she does not use her influence to secure his position at the bank. Before her marriage, she is treated like a baby-doll by her father and after she is married off to Torvald, she receives the same treatment from her husband too. Here in the play, the playwright uses various symbols which usually something concrete — an object, a place, a character, an action — that suggests for something abstract and universal. Anti-feminist values are presented immediately in the first scenes of the play and carry out until the end.
The symbol imparts the hidden meanings other than the apparent ones and also shows the emotional effects on the characters. Before he receives the letter, Torvald is furious with Nora for illegally borrowing money from Krogstad, even though it was used to save his life. Rank, to help develop the theme of conflicts within society. Nora is completely delighted with her life, and feels favorable for the way her life is coming along. It is Christmas time when the play begins and with a larger income starting after the New….
This quote shows how Nora gives in to whatever Dorval says. The symbolism imparts additional layer of meaning to the writing. Nora orders Christmas tree and insists to hide it until it is completely decorated. Linde wanted the couple to face the bitter reality and mend their minute misunderstandings. The first time the macaroons are used as a symbol is in the beginning of the play when Dorval does not allow Nora to eat macaroons.
The Christmas tree symbolizes the feelings of Ibsen also uses a symbol to develop Torvald Helmer as a character. These components serve to draw an audience in, create a believable situation, and illicit a particular response. However, although both authors use different methods, both are displaying the emotion felt by the protagonists and the journey they take throughout the novels. Initially, Krogstad appears to be the villain of the play. Themes Themes are the fundamental and often universal ideas explored in a literary work. The Christmas tree is another image in the play, which corresponds to Nora.