The literary tradition Plath is most closely associated with: Confessionalism, engenders robust biographical interpretation due to the innately self-revelatory idiom. Sylvia Plath's poetry remains some of the most beloved and acclaimed work of the 20th century, challenging its readers with the complexity of its allusions, metaphors, and images, as well as startling and disrupting readers with the force of its insight, self-awareness, and psychological penetration. In many ways, Plath believed her literary ambitions began as a result of her sense of maternal rejection and alienation. They address such major themes as the preeminence of the patriarch, the sorrow of loss, the yearning for creative autonomy, a mother's love for her child, thoughts of suicide, and ruminations on nature, sex, and the body. Due to Spam Posts are moderated before posted. It was hailed as a major literary event, and solidified Plath's reputation as a poetic genius.
Plath suffered from depression for much of her adult life, and in 1963 she committed suicide. She was pushing on the friable edge risking that it just might break. However, striving for literary excellence as a way to achieve maternal affection definitely had its downside as well. Green as eunuchs, your wishes Hiss at my sins. One of the challenges a student of Plath's work faces is how much to consider the work autobiographical, rather than imaginative. It is important at this point to remember two critical biographical facts behind this poem: When it was written, Plath was living in Britain, though she had grown up in the United States -- which is, I would venture to say, a less secualar society than Western Europe. I wanted to be free at last.
It bears the same tone of complain and detachment throughout. I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. Plath was faced with many emotional struggles during her lifetime and fell victim to her sorrow at the young age of 30. Off that landspit of stony mouth-plugs, Eyes rolled by white sticks, Ears cupping the sea's incoherences, You house your unnerving head—God-ball, Lens of mercies, Your stooges Plying their wild cells in my keel's shadow, Pushing by like hearts, Red stigmata at the very center, Riding the rip tide to the nearest point of departure, Dragging their Jesus hair. Green as eunuchs, your wishes Hiss at my sins. Dramatics: by the use repetition of the two lines expressing how fed up she was with not feeling normal. Yet death is not always welcomed as a theme in Plath's work.
There is a constant suicidal motif in her poems revealing her personal issues and problems which are linked to male domination in the patriarchal society she resided in. She also wrote The Bell Jar, a semi-autobiographical novel published shortly before her death. Medusa Analysis Sylvia Plath Characters archetypes. The narrator is bound by the mother-daughter relationship, her mind tightly wound, her cable firmly held. In any case, you are always there, Tremulous breath at the end of my line, Curve of water upleaping To my water rod, dazzling and grateful, Touching and sucking. I am sick to death of hot salt. Sylvia expresses the meaning of her poem through the use of a unique rhyme scheme, repetition, and a religious allusion.
There are many but it is always good to compare. Sponsor 122 Free Video Tutorials Please I make on youtube such as. The speaker does not say why the child is evil or bad, just the fact that shes does not want it, giving reader to feel a tinge of sympathy for the child. Plath, even more so than other Confessional poets like Anne Sexton or Robert Lowell, explored the poetic possibilities of contemporaneous self-expression which involved intimate, sometimes deeply personal psychological and biographical revelation. Green as eunuchs, your wishes Hiss at my sins. She refuses to accept nourishment from the mother and actually seems to express disgust with any food she associates with her. Did I escape, I wonder? My mind winds to you Old barnacled umbilicus, Atlantic cable, Keeping itself, it seems, in a state of miraculous repair.
Sparknotes bookrags the meaning summary overview critique of explanation pinkmonkey. In any case, you are always there, Tremulous breath at the end of my line, Curve of water upleaping To my water rod, dazzling and grateful, Touching and sucking. The Unabridged Journals of Sylvia Plath. I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. Her father died while she thought he was God. This period was one of intense personal and psychological turmoil for Plath, as both her marriage and mental state disintegrated even as she experienced a heightened level of creativity. Did I escape, I wonder? Who do you think you are? Cobra light Squeezing the breath from the blood bells Of the fuchsia.
She was an American poet, novelist and short story writer. Sylvia Plath was reported dead in the winter of February 11th, 1963. She was locked into a closed world where there was no way out. Knopf in May 1962, with one poem dropped for that edition. Medusa Poem by Sylvia Plath Medusa Off that landspit of stony mouth-plugs, Eyes rolled by white sticks, Ears cupping the sea's incoherences, You house your unnerving head-God-ball, Lens of mercies, Your stooges Plying their wild cells in my keel's shadow, Pusshing by like hearts, Red stigmata at the very center, Riding the rip tide to the nearest point of departure, Dragging their Jesus hair. She is worried about me and the man I married.
I didn't call you at all. A sensitive person who tended to be a bit of a perfectionist she was what many would consider a model daughter and student - popular, a straight A student, always winning the best prizes. However, many others concern themselves with politics and more personal, psychological concerns. A Critical Study of Themes and Techniques, New Dehli, Sarup Book Publishers, 2012, p. Works Cited Annas, Pamela J. Conclusion: The poem stands out as an exceptional evidence of the depression and suffocation that Plath was subjected to.
Contradictory to the feeling of admiration and the strong desire that she felt to achieve a freedom is nowhere better evident more than in this poem. Plath's work as well as her many memories continues long after her passing. She is responsible for the advancing popularity of the genre called confessional poetry; her most celebrated works are in the form of collections called The Colossus and Other Poems and Ariel. I loved spending time with the children—but wanted freedom which Sylvia refused to grant. Don Tresca is an Independent Scholar with a Master of Arts degree in English from California State University, Sacramento. Sylvia Plath was born on October 27, 1932 and committed suicide on February 11, 1963. For Plath then, the terror of the Medusa is not its femininity or its maternity, but its ability to deny the poet the voice necessary to speak against it.
Her anguish is intensified by her inability to give her child what she feels the child deserves. Also, the closest family member of Plath's who remained in America was her mother, who was raised Catholic, converted to Methodism, and remained religious her whole life. From the title, alone, the reader is set to expect a resonance with Greek myth. I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. The author, Sylvia Plath, is writing this song from her own personal view. Van Dyne recounts in her study Revising Life.